a case for writing in iambic: it's a historically beautiful way in which to write. it has a living pulse in it. it speaks to the ghost of Shakespeare.
a case against writing in iambic: it forces me to use words like titian.
Thursday, September 27, 2012
my door is my calendar and I've opened it
So I am at your house, really your apartment and you are
there. I’m a 7 in a scale from 1 to 10 that delineates my love for exposed
brick. I can’t remember if you have it. But I am in the apartment and you are
there. I can’t remember if I’ve been here before. I look and I see your grand
piano. Your grand piano is very close to your kitchen. You go to the TV. The TV
is hanging upside down in the closet. We want to watch this closet TV and we
can’t figure out its physics, it’s gravitational basics. We abandon this
project and I see in your living room you have a Christmas tree set up and a
bowl filled with Christmas ornaments. I see two nutcrackers with their arms
pointing to one another. I think it’s September. I think you’re a bit crazy to
be ready for December so early. Then I think it’s sweet you love something so
much to as to be ready for it three months too soon. Then I see your coffee
table has an Easter basket on it. And there are colored eggs in it. And on the
yellow armchair that you told me you found on the street there is your
Halloween costume folded and ready. By your coat rack, I see a picnic basket prepared for Labor Day. You have an area dedicated to each holiday.
In every moment you’re ready for our calendar celebrations, marked by the
furniture as X’s on a map that is your apartment. I think it’s sweet. I leave
your back door to go to my place and I sit inside waiting for the 29th
to pass. I was told I shouldn’t have left the house today. But I won’t be a slave to my calendar.
Sunday, September 23, 2012
a stab at iamb in the shadows
Light shadowbind me and across we find
The lines, which etched and offered take their flight
Across your back they reach unto your mind
So dear, we see we’re sunk in our new plight
Oh bind me to those words that you hold dear
So dear, you’ve taken them for your new prayer
Scrawled and woven, submerged as in a tear
The ink is permanent, on that I swear.
I shake the rust and in these mounds I make
Deep red, a path through which I cannot see
We have no guide to lead us from this quake
Of pigment rouge and titian, we must flee
Let make, flip our new fortunes to a path
A path so new that I can light the way
And run from the cascading colors’ wrath
So we might find a new grey for this day.
two sets in the shadows
Shadowbind me across the lines of your back
The lines etched on your shoulders offer
a poor source of direction
Bind me to those words you hold so dear to make
permanent
And shake the rust, orange and deep red, and make the mounds
we have to trek through
We have no guide to lead us through
Our flying capabilities are restricted to what's stained into your back
Let make
Flip our fortunes
to a new path and
light the way or I'll do it
Because my elbows are lightbulbs
and my ribs
reflectors
Let make
Make use
Bind
The lines etched on your shoulders offer
a poor source of direction
Bind me to those words you hold so dear to make
permanent
And shake the rust, orange and deep red, and make the mounds
we have to trek through
We have no guide to lead us through
Our flying capabilities are restricted to what's stained into your back
Let make
Flip our fortunes
to a new path and
light the way or I'll do it
Because my elbows are lightbulbs
and my ribs
reflectors
Let make
Make use
Bind
lost pay and fall
I’m not trying to rob you
But please please please
No I’m sorry
But obviously I need
I have one thing or
Another
The papers in my hands should say so
You worry about a
Disease
I worry about fading
But my realization is not as artsy as that
My realization is single shot
Single celled, and
Single sold
I expect more because I expect nothing
But I take everything
When it’s offered
And I have a chance to link my
Eyes to yours
And we discuss, or I talk at, talk to
Totally a night on the ground
My arms on the cardboard
And my head in the dust
Shake me if you see me
And I don’t stir
I’m not trying to heal you
I need my strength
For another day
$2, $1, 26¢, it's all the night of- the night it was
I dreamt last night that the Met was an equation
Each room a constant
Each style of art, a variable
An x or a y or a z, maybe f
And it all grew old to me
It grew manageable and
It grew smaller
The air grew stale and heavy
My wings of fancy were clipped
Too short
I hit glass and slid down the façade
I no longer had the desire to see the Rembrandts
And the works of Breugel
I met my bath
Which was a puddle of mud
And insects
And now, I’ve caught up
I will lie here a bit longer
Until this equation catches up
To my new sense of gravity
And consciousness
final day, my first flower
I knew her as a ghost before I knew her details
I see her structure and support
I see her supreme signature on the souls of
The wandering and found
We must live life like a celebration
I heard she once said
Lets bring one another to this
Moment now
And sign
Sign
Sign
Sign
Sign
Sign our marks onto this canvas
Before time takes us
I have the ink
If you have the brush
She already gave us the time
To sign
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